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Horror series with near perfect Rotten Tomatoes score returns to Prime
The first crack of dawn in a small studio in Los Angeles found Mark Duplass hunched over a stack of dusty VHS tapes, the glow of the monitor painting his face in a pale, almost spectral light.

The first crack of dawn in a small studio in Los Angeles found Mark Duplass hunched over a stack of dusty VHS tapes, the glow of the monitor painting his face in a pale, almost spectral light. He flicked through the reels, each one a silent confession of a night that had ended in blood and silence. The air smelled of old plastic and fear, and as he pressed play, the screen filled with the haunting image of a manhis own reflectionwatching a victim’s terror unfold. This was not a rehearsal; it was the opening of the sixth episode of the new season of The Creep Tapes, a series that has already carved a niche in the horror‑comedy landscape.
The series traces its roots back to the 2014 film Creep, where Duplass first introduced his unsettling character, later dubbed Peachfuzz. The film’s raw, handheld aesthetic and the idea of a killer documenting his crimes on tape set the tone for what would become a franchise. A 2017 sequel expanded the universe, and the transition to television allowed for deeper character exploration and a more sustained narrative arc. The first season of the show was met with a wave of positive reviews, and the second season’s release cemented its reputation, earning a perfect score on Rotten Tomatoes. The momentum carried into the third season, announced amid fan jubilation.
While the series originally aired on Shudder in the UK, the latest season is now available through Amazon Prime Video, expanding its reach to a broader audience. The platform shift is more than a distribution choice; it signals a recognition of the series’ growing cult status and the appetite for niche horror content among mainstream viewers. The new season drops on September 15, offering six fresh episodes that continue to blend absurdity with genuine dread.
The third season maintains its tradition of assembling a diverse roster of guest stars. Kate Siegel brings her own brand of eerie charm, while Elliott Fullam, known from Terrifier, adds a layer of physical menace. Perhaps most intriguingly, Duplass’s daughter, Ola Duplass, steps into the spotlight, hinting at a generational continuity that mirrors the series’ thematic exploration of legacy and inherited darkness.
Critics have praised the show for its unique blend of horror and comedy. Next Best Picture highlighted Brice’s direction and the duo’s creative vision, noting how the series offers a fresh take on found‑footage horror. Filmhounds Magazine echoed this sentiment, emphasizing the absurdity, blood, and the relentless presence of Peachfuzz. A Nightmare on Fierce Street remarked on the series’ ability to keep the familiar awkward and tense while pushing the boundaries of dark humor. Dread Central summed it up by calling Peachfuzz “relentless,” a fitting description for a character who refuses to let go of his victims as long as he can breathe.
Watching The Creep Tapes is an exercise in voyeurism; viewers become complicit in the act of watching a killer’s documentation. This dynamic raises questions about the nature of horror consumption and the allure of the unseen. The series, through its absurdity, forces audiences to confront their own thresholds of discomfort. Duplass’s performancean almost magnetic blend of menace and humorserves as a reminder that horror thrives on the human capacity for both fear and fascination.
As a writer who thrives on the intersection of culture and storytelling, I find the series’ use of VHS tape as a narrative device particularly resonant. It taps into a collective nostalgia for analog media while simultaneously exploiting its inherent limitations to heighten tension. The tactile feel of the tape, the hiss, the abrupt cutsall contribute to a sensory experience that digital streaming can rarely replicate.
The success of The Creep Tapes on Prime Video suggests that audiences are hungry for horror that challenges conventional storytelling. The series’ ability to balance absurdity with genuine terror may inspire other creators to experiment within the genre. As the franchise continues to evolve, it will be intriguing to see how Duplass and Brice expand the world of Peachfuzz, perhaps exploring new media formats or delving deeper into the psychological motivations of their characters. The next season, already in the works, promises to keep viewers on edge, proving that horror can be both a mirror and a magnifying glass to our darkest impulses.


