Every song on the 'Crew Girl' soundtrack

Miku Martineau’s first day on the boat is the kind of scene that makes you feel the splash of a new chapter. She steps onto the deck of an all‑boys varsity crew, the air thick with the smell of oiled oars and the hum of determination. In Crew Girl, she’s not just a rower; she’s the coxswain who will steer a ragtag team through a season of heartbreak, friendship, and unexpected triumph. The show drops on Netflix on September 10, 2026, and from the opening episode, the soundtrack becomes as much a character as the crew itself.

The series’ score is crafted by Adam King, whose previous work on Earth Abides, Strays, and Kim’s Convenience shows a knack for blending cinematic swells with intimate moments. King’s music threads through the eight episodes, underscoring the highs of a victorious race and the lows of a teammate’s fall. It’s the invisible pulse that keeps the narrative moving, turning each splash of water into a beat that feels both familiar and fresh.

The opening episode kicks off with a mix of pop and indie vibes. From Dove Cameron’s “Triple Seven” to Hana Vu’s “Gospel, Jean Dawson Keep Moving,” the playlist feels like a mixtape for the modern athlete. MØ’s “Circling” and Tiny Habits’ “300 dreams” give the scene an energetic lift, while Sarah Kinsley’s “No Broke Boys, Disco Lines” injects a touch of humor. The soundtrack here is a collage of hopeful anthems that mirror the crew’s tentative unity.

A darker tone settles in with Whiplash’s “aespa” and After The Flood’s “Karen Dahlstrom Kick Back.” The mix of FETISH Ants and The Unfit Run Rabbit adds an edge, reflecting the crew’s internal conflicts. ALT BLK ERA’s “Reckless” and Rebecca Black’s “TRUST!” provide a raw, unfiltered backdrop to the boys’ chaotic dynamics.

Here, the soundtrack shifts to a more upbeat, rebellious feel. Ten Girls’ “Circe Gosports!!!” and couchgagzzz’ “Anywhere Else” set a playful tone, while The Killers (performed by Josh and Teagan)’ “Mr. Brightside” becomes a rallying cry for the team’s newfound camaraderie.

The fourth episode blends pop and indie with tracks like Kim Petras’ “I m Always Sad” and Ethan Gold’ “Breaking In Reverse.” Soulwax’ “Accelerator” injects a high‑energy beat that mirrors the crew’s relentless practice sessions. Middle Kids’ “Prize Fighter” and Jean Dawson’ “Miku Martineau and Sam Braun” add a personal touch, highlighting the growing bonds among the cast.

From CHINCHILLA’ “Formal MF Diamond” in episode five to Self Esteem’ “Fade Away” in episode eight, the soundtrack evolves alongside the crew’s journey. Each episode introduces new artistsKacy Hill, Maude Latour, Anne Leanne Blonde, SASAMI, Sir Chloe, Jonathan Snipes Remix, METTE, and ANOTR Synchingcreating a musical tapestry that feels as diverse as the characters themselves. The final episode’s “O Coxswain, My Coxswain Control” by Coach Party caps the series with a triumphant, resonant finale.

The music in Crew Girl isn’t just background noise; it’s a narrative device that amplifies the emotional beats of the story. Each track is carefully chosen to reflect the characters’ internal stateshope, frustration, joy, and resilience. The blend of mainstream pop, indie, and emerging artists mirrors the show’s theme of breaking boundaries and forging new paths.

If I had to pick one takeaway, it’s that Crew Girl proves soundtrack curation can elevate a coming‑of‑age drama into a full‑bodied experience. The show doesn’t just let music play; it lets it speak, echoing the crew’s journey from awkward beginnings to a cohesive unit. The soundtrack feels like a second crew member, steering the emotional rhythm of every episode.

The next time you watch a season of Crew Girl, pause for a beat and let the music carry you. It’s not just a soundtrack; it’s a soundtrack that listens back.