See All the Stars Who Showed Up for the Starlomo Premiere in African Music Icon Style

The night air in Lagos was thick with anticipation as the city’s most fashionable eyes turned toward the cinema marquee of Starlomo. On Sunday, 20 September 2026, the red carpet unfurled under the glow of neon and the buzz of cameras. The first to step onto the glossy strip was Iyabo Ojo, her forest‑green column gown a living tapestry of geometric panels in blue, crimson, yellow and cream, each color a stanza in a visual poem. She wore red sunglasses that caught the light like a sunrise over the Lagos Lagoon, and gold jewelry that seemed to echo the city’s own pulse.

The premiere was billed as an “African Music Icon” dress code, a theme that invited stars to interpret the idea through their own sartorial lenses. Efe Irele chose to channel retro glamour, stepping out in a silver sequined tunic dress that shimmered with mirrored disc trim. Deep maroon tights and crystal‑bow heels added a touch of dramatic contrast, turning the ensemble into a stage‑ready spectacle. Her look felt like a nod to the golden age of Nigerian cinema, yet it was unmistakably contemporary.

Lateef Adedimeji brought a different texture to the carpet. He paired a beige jacket with a dark‑stitched black top, layering gold chains over a pair of asymmetrical patchwork trousers that featured stripes and burgundy pockets. The mix of beige tailoring and patchwork trousers made his outfit feel like several pieces stitched together into one coherent story. The contrast between the muted jacket and the vibrant trousers underscored a theme of unity in diversity that resonated throughout the evening.

Timini Egbuson opted for an earthy patchwork jacket that matched a teal tie, wide‑leg ivory trousers, and a cream fedora. The relaxed proportions of the trousers and the fedora’s casual tilt gave the ensemble an eclectic feel, while the colors remained firmly rooted in the African-inspired theme. His look was a reminder that elegance can be achieved without rigid formality, and that fashion can be an act of storytelling.

The film’s producer, Akinyoola Ayoolabetter known as Kamo Statemade a striking entrance in a graphic blazer with yellow striping, paired with black wide‑leg trousers, silver chains, and statement rings. His outfit was a visual echo of the film’s own bold narrative, a blend of contemporary streetwear and classic tailoring that suggested a bridge between past and present.

The gathering was more than a showcase of fashion; it was a living archive of Nigerian artistic expression. Each star’s choice reflected a facet of the country’s vibrant cultural mosaicwhether through the use of bright colors, intricate patterns, or the juxtaposition of modern and traditional elements. The premiere served as a reminder that cinema and fashion are intertwined, each amplifying the other’s storytelling power.

As the night drew to a close, the red carpet glimmered under the Lagos skyline, evidence of the creative spirit that fuels the Nigerian film industry. The Starlomo premiere will be remembered not only for its cinematic promise but also for the way it celebrated the rich tapestry of African style, inviting viewers to witness how everyday icons can transform a simple evening into a cultural landmark.