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Barry Can't Swim goes full French touch on euphoric new single 'Dance Dance Dance'

Joshua Mainnie, the Edinburgh-born producer and DJ behind the moniker Barry Can’t Swim, is known for pushing the boundaries of his sound.

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Barry Can't Swim goes full French touch on euphoric new single 'Dance Dance Dance' — Music news on dripviewz

Joshua Mainnie, the Edinburgh-born producer and DJ behind the moniker Barry Can’t Swim, is known for pushing the boundaries of his sound. With his new single 'Dance Dance Dance', Mainnie has taken a bold step into the world of French touch, pairing shimmering synths and buoyant electronic beats with a playful keytar solo and euphoric French-language vocals. This move marks a significant departure from his earlier work, and Mainnie's confidence in experimenting with new styles is evidence of his growth as an artist.

Barry Can’t Swim has released 'Dance Dance Dance' via Atlantic Records, marking his second single this year. The track follows 'Return To Bhibo', which arrived in May, and is part of a busy run of activity for Mainnie in the US. His willingness to take risks and push his sound in new directions is evident in the number of exciting projects he's undertaken recently, including walking in KidSuper’s SS27 runway show in Miami and hosting a surprise pop-up party in Brooklyn. The fact that Mainnie is experimenting with French touch, a style that originated in the 1990s, suggests that he is drawing inspiration from the past while still managing to stay relevant in the present.

While 'Return To Bhibo' captured the producer's emotionally charged, club-focused side, 'Dance Dance Dance' finds him moving into more flamboyant and colourful territory. The inclusion of a playful keytar solo and French-language vocals adds a new level of sophistication to Mainnie's sound, and suggests that he is expanding his musical palette to incorporate a wider range of influences. This shift towards a more flamboyant style is also reflected in Mainnie's recent activities in the US, where he has been engaging in high-profile events and performances.

Mainnie's decision to go full French touch on 'Dance Dance Dance' is a significant move, as the style has been largely associated with the 1990s and early 2000s. However, the fact that Mainnie is able to update this sound and make it feel fresh and exciting suggests that he is part of a larger movement to breathe new life into classic styles. The resurgence of interest in French touch is also reflected in the wider electronic music scene, where artists are increasingly looking to the past for inspiration.

With 'Dance Dance Dance', Mainnie has taken a major step towards establishing himself as a leading force in the electronic music scene. His willingness to experiment with new styles and push the boundaries of his sound is evidence of his confidence and creativity as an artist. As he continues to release new music and engage in high-profile events, it is clear that Mainnie is on the cusp of a new era in his career. With his bold and innovative approach to music, he is sure to continue making waves in the industry.

As Barry Can’t Swim continues to evolve and push the boundaries of his sound, it will be interesting to see how he develops in the coming months. With 'Dance Dance Dance' marking a significant departure from his earlier work, it is clear that Mainnie is willing to take risks and try new things. As the electronic music scene continues to evolve, it will be exciting to see how Mainnie's unique blend of styles and influences contributes to the wider conversation. With his bold approach to music, he is sure to remain a major force to be reckoned with in the industry.

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