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Every song on the 'Sterling Point' soundtrack

As Megan Park and her team bring the coming-of-age series Sterling Point to life on Prime Video, one thing is clear: the soundtrack is an integral part of the show's DNA.

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Every song on the 'Sterling Point' soundtrack — Music news on dripviewz

As Megan Park and her team bring the coming-of-age series Sterling Point to life on Prime Video, one thing is clear: the soundtrack is an integral part of the show's DNA. At the centre of this story is Jaco Caraco and Tyler Hilton, the duo behind the show's original score, which perfectly complements the needle drops from big artists like Olivia Dean, Lana Del Rey, and Olivia Rodrigo. The real stakes for these creatives are the reception of the soundtrack, as it can either elevate the show's emotional impact or detract from it.

The soundtrack for Sterling Point boasts a diverse range of artists and genres, reflecting the show's themes of family, identity, and self-discovery. The first episode features Olivia Rodrigo's 'Maggots For Brains', a track that sets the tone for the show's blend of indie and pop sounds. Other notable tracks in episode one include Laufey's 'Lover Girl' and Loaded Honey's 'Don't Speak', which showcase the show's ability to balance moody and upbeat moments.

Breaking down the soundtrack by episode reveals some interesting trends. Episode two features a higher concentration of female artists, with H.E.R.'s '2' and Suki Waterhouse's 'Could've Been A Star' standing out as particularly noteworthy tracks. Meanwhile, episode three sees the introduction of more electronic and experimental sounds, courtesy of FKA twigs and Oklou's 'viscus' and Cigarettes After Sex's 'Apocalypse'.

The inclusion of big-name artists like Olivia Dean and Lana Del Rey in the soundtrack suggests a deliberate attempt to appeal to a wider audience. However, the show's creators have also made a conscious effort to feature up-and-coming artists, such as Loaded Honey and M.A.G.S.. This balance between established and emerging talent may indicate a shift in the indie-pop landscape, where artists are increasingly seeking to collaborate with bigger names in order to reach a broader audience.

The success of Sterling Point's soundtrack raises questions about the role of music in TV series. With the rise of streaming platforms and the increasing importance of soundtracks in boosting a show's online presence, it's possible that we'll see more series prioritize their soundtracks in the coming years. This could lead to a greater focus on music discovery and curation, as well as increased opportunities for emerging artists.

As Sterling Point still draws audiences on Prime Video, it's clear that the soundtrack is a key element of the show's appeal. With its diverse range of artists and genres, the soundtrack perfectly complements the show's themes of family, identity, and self-discovery. As the show's creators continue to push the boundaries of what a TV soundtrack can do, it's exciting to think about the possibilities that lie ahead for music in television.

In the coming months, I predict that we'll see a surge in the number of TV series prioritizing their soundtracks, with a focus on music discovery and curation. This could lead to increased opportunities for emerging artists and a greater emphasis on the role of music in shaping the viewer's experience.

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